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Paul Butterfield Blues Band ” BORN IN CHICAGO ” Live

Eric Clapton: Crossroads Guitar Festival 2010 [Blu-ray] $19.99 Over the summer of 2010, Eric Clapton gathered a veritable Who’s Who of the world’s most talented guitar players at the third Crossroads Guitar Festival, an 11-hour celebration of the six string that attracted a sold-out crowd of more than 27,000 music fans to Chicago’s Toyota Park. All profits from this daylong display of guitar virtuosity benefited The Crossroads Centre in Antigua, a treatment a…

America: Live in Chicago [Blu-ray] $10.98 Studio: Image/sphe Release Date: 09/06/2011 Run time: 77 minutes…

Chicago and Earth, Wind & Fire: Live at the Greek Theatre [Blu-ray] $11.99 The ’70s and ’80s rule as two of the most popular bands from that era join forces on Chicago/Earth Wind & Fire – Live at the Greek Theatre, a two-disc, nearly three-hour concert recorded in Los Angeles in 2004. These groups scored dozens of hits in their heydays, and if neither has come up with much of anything that’s new in the past two decades, the sold-out audience at the Greek Theatre could ha…

Stiff: The Curious Lives of Human Cadavers $6.20 Stiff is an oddly compelling, often hilarious exploration of the strange lives of our bodies postmortem. For two thousand years, cadavers – some willingly, some unwittingly – have been involved in science’s boldest strides and weirdest undertakings. In this fascinating account, Mary Roach visits the good deeds of cadavers over the centuries and tells the engrossing story of our bodies when we are …

There Are No Children Here: The Story of Two Boys Growing Up in The Other America $6.49 There Are No Children Here, the true story of brothers Lafeyette and Pharoah Rivers, ages 11 and 9 at the start, brings home the horror of trying to make it in a violence-ridden public housing project. The boys live in a gang-plagued war zone on Chicago’s West Side, literally learning how to dodge bullets the way kids in the suburbs learn to chase baseballs. “If I grow up, I’d like to …

A Year Down Yonder $2.05 Grandma Dowdel’s back! She’s just as feisty and terrifying and goodhearted as she was in Richard Peck’s A Long Way from Chicago, and every bit as funny. In the first book, a Newbery Honor winner, Grandma’s rampages were seen through the eyes of her grandson Joey, who, with his sister, Mary Alice, was sent down from Chicago for a week every summer to visit. But now it’s 1937 and Joey has …

Cisco-Linksys Range Plus Wireless USB Compact Adapter $73.99 Wi-Fi – IEEE 802.11b/g – 54Mbps…

Blues Brothers 106 Miles to Chicago Black T-Shirt Tee Blues Brothers black t-shirt. Features a vector image of Jake and Elwood and reads, It’s 106 miles to Chicago, we’ve got a full tank of gas, half a pack of cigarettes, it’s dark and we’re wearing sunglasses.” 100% cotton. Officially Licensed….

Da Bears SNL t-shirt blue Da Bears SNL T-shirt. Blue t-shirt. 100% Cotton….

Jay Cutler Chicago Bears Youth Live Player T-Shirt $20.00 All the kids at school will be jealous of your Bears fandom when you are wearing this Chicago Bears Youth Live Player T-Shirt. This t-shirt features a screen print of your favorite player while they were on the field competing. T-shirt also features the teams vibrant color scheme so everyone will know you are a die-hard Chicago Bears fan….

Alan Gerber – Chicken Walk CD $20.55 Alan Gerber Just wait till you see him live! A pro since age of 12, Chicago-born boogie blues man Alan Gerber has developed an international fan base across the U.S., Canada, Europe, Japan, and A…

Albert King – So Many Roads: Charly Blues Masterworks, Vol. 2 CD $13.69 Recorded live at Hibiya Park, Tokyo, Japan on July 20 & 29, 1975. Includes liner notes by Steve Tomashefsky.This album, recorded live in Japan in 1975, features legendary Chicago axe-slinger Otis R…

An Introduction to Chicago Blues $12.99 The golden era of Chicago blues in the 1950s and early ’60s came when the music was still essentially a powerful re-creation of the older Mississippi blues styles all done up with electric guitars, amps, and decent microphones. This was before the Chicago blues became codified by collectors and academics into its own subgenre, and tracks like Elmore James’ “Dust My Broom” (included here in a live version) with its explosive slide riff are clearly the Delta blues on rocket fuel, and there’s no denying the power of this stuff. This odd assortment of sides, many of them live performances, actually does a pretty good job of showing the diversity that lurks inside what is known as the Chicago blues, ranging in feel from Sunnyland Slim’s wonderful piano romp “It’s You Baby” to Big Joe Williams’ ragged “Baby Please Don’t Go,” presented here in a foot-stomping acoustic version. Other highlights include a live take from Otis Rush of his signature “I Can’t Quit You Baby,” Mighty Joe Young’s subtle (and then not so) topical lament “Hard Times (Follow Me),” the blasting slide guitar of Elmore James on the aforementioned “Dust My Broom,” and Muddy Waters’ “(I’m Your) Hoochie Coochie Man.” A fun and revealing set, full of a kind of joyous energy (even if it’s the blues) that seems to go missing in much of what passes these days as the blues. ~ Steve Leggett, Rovi

Art Ensemble of Chicago Albums: The Meeting, Live at the 6th Tokyo Music Joy, Nonaah, Sirius Calling, Bap-Tizum, Dreaming of the Masters Suite $19.75 Purchase includes free access to book updates online and a free trial membership in the publisher’s book club where you can select from more than a million books without charge. Chapters: The Meeting, Live at the 6th Tokyo Music Joy, Nonaah, Sirius Calling, Bap-Tizum, Dreaming of the Masters Suite, America – South Africa, Non-Cognitive Aspects of the City, Coming Home Jamaica, Les Stances a Sophie, Art Ensemble of Soweto, Live in Berlin, Fanfare for the Warriors, Kabalaba, Certain Blacks, Salutes the Chicago Blues Tradition, Nice Guys, Fundamental Destiny, Art Ensemble of Chicago With Fontella Bass, Thelonious Sphere Monk, Ancient to the Future, Reunion, Among the People, Urban Bushmen, Live at Mandell Hall, Live in Paris, Go Home, Full Force, Naked, People in Sorrow, Congliptious, the Alternate Express, Tribute to Lester, Urban Magic, the Complete Live in Japan, Tutankhamun, the Third Decade, Old/quartet, the Spiritual, Phase One, Numbers 1

At His Best: Live $17.98 Atlanta’s Landslide label only released two of Sean Costello’s four albums during his life, but has been the most aggressive at maintaining, and perhaps even elevating, his profile in the blues world with two posthumous collections. The first wrapped up some previously recorded tracks, both studio and live, with a smattering of rare material. This is the second and, as the title specifies, it captures Costello on-stage with 18 heretofore unavailable-on-CD performances. The audio varies wildly from near professional quality to what sounds like a pretty good cassette recording at Buddy Guy’s Legends club, but the playing is uniformly supercharged. Costello, who passed away on the eve of his 29th birthday in 2008, had toured relentlessly and really was at his best in front of an audience as these recordings, grabbed from 2000-2007 but never intended for release, clearly show. Along with his blistering blues guitar as evidenced on “T-Bone Boogie” and Magic Sam’s “All Your Love,” Costello loved soul and funk, and half of this collection features his versions of relatively obscure R&B material that feels as natural as the more rootsy Chicago blues he’s best known for. Covers of Bobby Womack’s “Check It Out,” the Tyrone Davis classic “Can I Change My Mind,” and Johnnie Taylor’s “Doing My Thing” crackle with tough, occasionally playful energy and enthusiasm. Blues fans naturally gravitate to Costello’s reverential yet fluid guitar work, but these songs show him to be a riveting singer with a gruff voice that sounded far older than his birth year would indicate. When he lets loose on Johnny Guitar Watson’s “Motor Head Baby,” he sounds possessed and his workout on Robert Ward’s “Peace of Mind” takes the original and shoots it full of adrenaline with a guitar solo that’s tense and brittle. He even gives the great Mike Bloomfield a run for his money when he tackles Bloomfield’s “You’re Killing My Love,” a tune he likely learned from Otis Rush’s version, and u…

Black Magic $12.98 This album’s color cover photo is an action shot, showing Magic Sam in the process of choking and bending his strings, a good hike up the fretboard. It isn’t clear exactly what he is playing from the picture, although that certainly didn’t stop dozens of pimply hippie guitar players from trying to figure it out. In the meantime, the record goes on and the first soloist out of the gate is Eddie Shaw, playing tenor sax. He is blowing over the top of an R&B riff that, although not out of the syntax of Chicago blues, would also have been quite fitting on a Wilson Pickett record. It is unfortunate that Magic Sam’s recording career came to such an abrupt end, as he was one of the best artists working in the musical area between the urban blues tradition and newly developing soul music forms. This fusion was on the minds of many blues artists during the late ’60s, and not just because it was aesthetically conceivable. It was also a matter of commerce, as audiences — particularly black audiences — didn’t want to hear any blues that sounded too much like something their parents might have listened to. The harmonica player Junior Wells was another one who decided to get a bit of James Brown into his act, not always with great results. What listeners have here, on the other hand, is frankly delicious, the results of the surplus of talent Magic Sam possessed, a triple threat as a guitarist, singer, and songwriter. Yet with all this talent, the label should also get some credit. This period of the Delmark discography set a high standard for blues recordings, the sound quality and tight interplay among the musicians every bit the equal of the classic jazz recordings on labels such as Blue Note and Prestige. There is nothing fancy about the production, and no gimmicks. It is just a great band, allowed to play the music exactly the way it wanted to. The musicians have obviously worked together a great deal and either had these arrangements down cold from live gigs or had plent…

Blues Brothers – Definitive Collection CD (Argentina, Import) $35.69 Argentina, Import – Tracks 1-13 & 17 recorded live at The Universal Amphitheater, Los Angeles, California; tracks 18-20 recorded at Universal Recording, Chicago, Illinois.Digitally remastered by Jo…

Blues Brothers [P&S] [25th Anniversary Edition] $14.98 Expanding on their Saturday Night Live characters, John Belushi and Dan Aykroyd star as Jake and Elwood Blues, two white boys with black soul. Sporting cool shades and look-alike suits, Jake and Elwood are dispatched on a “mission from God” by their former teacher, Sister Mary Stigmata (Kathleen Freeman). Said mission is to raise $5000 to save an orphanage. In the course of their zany adventures, the Blues Brothers run afoul of neo-Nazi Henry Gibson, perform the theme from Rawhide before the most unruly bar crowd in written history, and lay waste to hundreds of cars on the streets and freeways of Chicago. In case you aren’t swept up in the infectuous nuttiness of the brothers Blue, you might have fun spotting film’s legion of guest stars, including James Brown, Cab Calloway, Aretha Franklin, Ray Charles, John Candy, Carrie Fisher, Steve Lawrence, Twiggy, Paul Reubens (aka Pee-Wee Herman), Frank Oz, and Steven Spielberg. ~ Hal Erickson, Rovi

Blues Brothers [Rated/Unrated] [Blu-ray] $26.98 Expanding on their Saturday Night Live characters, John Belushi and Dan Aykroyd star as Jake and Elwood Blues, two white boys with black soul. Sporting cool shades and look-alike suits, Jake and Elwood are dispatched on a “mission from God” by their former teacher, Sister Mary Stigmata (Kathleen Freeman). Said mission is to raise $5000 to save an orphanage. In the course of their zany adventures, the Blues Brothers run afoul of neo-Nazi Henry Gibson, perform the theme from Rawhide before the most unruly bar crowd in written history, and lay waste to hundreds of cars on the streets and freeways of Chicago. In case you aren’t swept up in the infectuous nuttiness of the brothers Blue, you might have fun spotting film’s legion of guest stars, including James Brown, Cab Calloway, Aretha Franklin, Ray Charles, John Candy, Carrie Fisher, Steve Lawrence, Twiggy, Paul Reubens (aka Pee-Wee Herman), Frank Oz, and Steven Spielberg. ~ Hal Erickson, Rovi

Buddy’s Baddest: The Best Of Buddy Guy $11.98 Buddy Guy revitalized his career when he signed with Silvertone Records in the early ’90s. His first album for the label, Damn Right, I’ve Got the Blues, was a smash success, earning critical acclaim, awards, and sales hand over fist. Prior to that record, he was a legend only among blues fans; afterward, he was a star. Although it was a bit too rock-oriented and slick for purists, Damn Right was a terrific album, setting the pace not only for Guy but for modern electric blues in the ’90s. As the decade wore on, Guy continued to make albums for Silvertone, some of them a little complacent, others quite excellent. Buddy’s Baddest: The Best of Buddy Guy attempts to summarize those years in 14 songs, including three previously unreleased cuts. Not surprisingly, the compilers favor the Guy of Damn Right, featuring four songs from the record and three from its soundalike sequel, Feels Like Rain. Only two tracks from Slippin’ In, his hardest blues record for the label, made the cut, while the fine live album Live! The Real Deal and the misguided Heavy Love are represented by a track apiece. In other words, a lot of good stuff remains on the original albums, which is doubly unfortunate since the three unreleased cuts are all throwaways. By relying so heavily on two records, Buddy’s Baddest doesn’t wind up being an accurate portrait of Guy’s Silvertone recordings. That doesn’t mean it’s a bad listen, since the first ten songs are all very good and quite entertaining. However, anyone who has Damn Right but wants to dig deeper into Guy’s Silvertone albums may prefer to pick up Feels Like Rain, which offers more of the same crossover Chicago blues, or Slippin’ In, which is the real deal. ~ Stephen Thomas Erlewine, Rovi